Current print subscribers can create a free account by clicking here
Otherwise, follow the link below to join.
To Our Valued Readers –
Visitors to our website will be limited to five stories per month unless they opt to subscribe. The five stories do not include our exclusive content written by our journalists.
For $6.99, less than 20 cents a day, digital subscribers will receive unlimited access to YourValley.net, including exclusive content from our newsroom and access to our Daily Independent e-edition.
Our commitment to balanced, fair reporting and local coverage provides insight and perspective not found anywhere else.
Your financial commitment will help to preserve the kind of honest journalism produced by our reporters and editors. We trust you agree that independent journalism is an essential component of our democracy. Please click here to subscribe.
Need to set up your free e-Newspaper all-access account? click here.
Non-subscribers
Click here to see your options for becoming a subscriber.
Register to comment
Click here create a free account for posting comments.
Note that free accounts do not include access to premium content on this site.
I am anchor
Indigenous land exhibit now open at Heard Museum
Posted
Heard Museum, 2301 N. Central Ave. in Phoenix, will present George Catlin on Indigenous Land exhibit May 7 through the fall of 2022.
The exhibition George Catlin on Indigenous Land features selections from an original 1844 portfolio of 25 hand-colored lithographic plates, according to a press release.
Like many Western artists, George Catlin (1796-1872) traveled the West to make a record of the region’s Indigenous peoples with a goal to preserve for future generations a pictorial history of Indigenous cultures, which he accomplished by painting portraits of peoples from nearly 40 tribes.
The recent donation from Laura and Arch Brown consists of the third print-run edition of Mr. Catlin’s lithographs, which marked the first time he used a new printer in London, according to the release, noting more than 150 years old, the lithographs are in perfect condition.
A self-trained artist who practiced law for two years, he traveled to Missouri and then into the Great Plains, the release said, detailing five trips he made from 1830 to 1836, producing the largest pre-photographic record of Indigenous people.
Painting more than 300 portraits and 175 landscapes, the release said he also painted scenes depicting ceremonies, customs and village life in addition to portraits.
He was known to be respectful of the Indigenous people who posed for his portraits and personally benefitted from the enterprise. He traveled to cities throughout the U.S. and Europe, showcasing his “Indian Gallery.”
Although his paintings, lectures and books are said to have brought him recognition, he faced financial hardships throughout his career, including imprisonment in London for indebtedness in 1852.
However, after his unsuccessful attempt to sell his paintings to the U.S. government, railroad businessman Joseph Harrison Jr. acquired the paintings when he paid Mr. Catlin’s debts.
The paintings were subsequently donated to the Smithsonian Institution, the release added.